Rimas filipinas
Edition: id 838
MEDIA
Date
1964
Publisher >
Language
Spanish (ES, SPA)
Location (place) >
Place where to find it
Library
Name / Title
Rimas filipinas
Representative image or thumbnail
rimasfilipinas.PNG [398kB]
Extended description
Reseña de Edgar C. Knowlton Jr. en JSTOR:
Knowlton, Edgar C. Books Abroad, vol. 40, no. 2, University of Oklahoma, 1966, pp. 232–33, https://doi.org/10.2307/40120738.
Al principio de esta reseña se indica qué poemas son de cada autor:
"Through Zaragoza's kindness, the poems written by him in this volume may be identified by number: 4, 6-79 10, 13-15, 19, 22, 25, 28, 31, 35-38, 41, 47, 54-56, 62-63, 66-74. The remaining forty-six poems are by Emeterio Barcelon, the senior poet, who is at present Director of the Philippine Royal Spanish Academy.
A stylist might be able to associate the poems with their respective authors without the help of the identification contained here, but the two poets share a fondness for religious themes and for the expression of love for Spain. Filipinisms are used by Barcelon to accentuate the regional flavor of some of the poems; Chabacano, the Creole Spanish dialect of the Philippines, is mentioned in an interesting "Discurso necrologico en verso" ("NecrologicalSpeech in Verse") in memory of Pascual Asanza".
Knowlton, Edgar C. Books Abroad, vol. 40, no. 2, University of Oklahoma, 1966, pp. 232–33, https://doi.org/10.2307/40120738.
Al principio de esta reseña se indica qué poemas son de cada autor:
"Through Zaragoza's kindness, the poems written by him in this volume may be identified by number: 4, 6-79 10, 13-15, 19, 22, 25, 28, 31, 35-38, 41, 47, 54-56, 62-63, 66-74. The remaining forty-six poems are by Emeterio Barcelon, the senior poet, who is at present Director of the Philippine Royal Spanish Academy.
A stylist might be able to associate the poems with their respective authors without the help of the identification contained here, but the two poets share a fondness for religious themes and for the expression of love for Spain. Filipinisms are used by Barcelon to accentuate the regional flavor of some of the poems; Chabacano, the Creole Spanish dialect of the Philippines, is mentioned in an interesting "Discurso necrologico en verso" ("NecrologicalSpeech in Verse") in memory of Pascual Asanza".